| Abbreviations |
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ix | |
| Introduction Raising Community |
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1 | (5) |
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| Note From the Editors |
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6 | (4) |
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| Isolation and Community |
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Learning Virginia Woolf: Of Leslie, Libraries, and Letters |
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10 | (7) |
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A Community of Correspondences: Two Women, Letters, and The Voyage Out |
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17 | (5) |
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Communities of Desire: Woolf, Proust, and The Reading Process |
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22 | (7) |
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Virginia Woolf and the French Connection: A Devotion to Language |
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29 | (7) |
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| Trauma and Loss |
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Powers of Horror and Peace: Abjection and Community in Virginia Woolf's Between the Acts |
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36 | (7) |
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Veterans and Civilians: Traumatic Knowledge and Cultural Appropriation in Mrs. Dalloway |
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43 | (7) |
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Imagined Communities of Criticism: ``Wounded Attachments'' to the Icons of H. D., Gertrude Stein, and Virginia Woolf |
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50 | (7) |
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``We perished, each alone'': Loss and Lyricism in Woolf, Maso, and Young |
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57 | (8) |
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| Historicized Textualities: Resisting Patriarchy |
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Thinking Back Through Our Mothers, Thinking in Common: Virginia Woolf's Photographic Imagination and the Community of Narrators in Jacob's Room, A Room of One's Own, and Three Guineas |
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65 | (26) |
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A Community of Women Looking at Men: The Photographs in Virginia Woolf's Three Guineas |
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91 | (6) |
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Thinking Back through Our Mothers: Virginia Woolf in the Spanish-American Female Imagination |
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97 | (5) |
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The Politics/Poetics of Motherhood in to the Lighthouse |
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102 | (7) |
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Between the Arts: Woolf, Pedagogy and the Persistence of Authority |
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109 | (8) |
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| Re-examining Discourses of Power |
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Civilization and Its Pretexts in Virginia Woolf's Imagination |
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117 | (10) |
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Virginia Woolf, Bloomsbury, and the Primitive |
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127 | (9) |
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The Masked Reality in Leonard Woolf's Colonial Writings |
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136 | (5) |
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Woolf and the Gendering of Fascism |
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141 | (6) |
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| Metaphors of Material Cultures |
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Meet Me in St. Louis: Virginia Woolf and Community |
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147 | (14) |
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Woolf's Web: Telecommunications and Community |
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161 | (6) |
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Virginia Woolf's Women and the Fashionable Elite: On Not Fitting In |
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167 | (6) |
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In the Urinal; Virginia Woolf Around Gay Men |
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173 | (5) |
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Gathering Around the Punch Bowl: Woolf's Alternative Narrative Community |
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178 | (9) |
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Remaking Virginia: A Caution for Readers |
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187 | (15) |
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| Narratological Communities |
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Featured Conversation: Artists and Community |
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Introductions Suzanne Bellamy, Imagining the Muse |
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``Why are these pages comforting?'' |
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193 | (9) |
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Virginia Woolf and the Community of Diarists |
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202 | (10) |
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``That perpetual marriage of granite and rainbow'': Searching for ``The New Biography'' in Virginia Woolf's Orlando |
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212 | (7) |
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Virginia Woolf and Reading Communities: Respondents to Three Guineas |
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219 | (8) |
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Hypertext as Metaphor: Reading Woolf in the Electronic Age |
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227 | (7) |
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| Constructing Feminine Aesthetic Spaces |
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The Community of Audience: Woolf's Drama of Public Woman |
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234 | (17) |
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The Dial as Matrix: Periodical Community between Virginia Woolf and Georgia O'Keeffe |
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251 | (8) |
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Artist and Feminist Communities of 1910: Post-Impressionism, Suffrage Aesthetics, and Intersubjectivity in to the Lighthouse |
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259 | (10) |
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Communities of Silence and Music in Virginia Woolf's The Waves and Dorothy Richardson's Pilgrimage |
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269 | (7) |
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First Encounters: Student Responses to Woolf |
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276 | (6) |
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Featured Conversation: Filming the Left Bank |
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282 | (7) |
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The Rhetoric of Performance in A Room of One's Own |
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289 | (8) |
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| Notes on Contributors |
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297 | (6) |
| Conference Program |
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303 | |