Virgil's Aeneid A Critical Description

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Format: Paperback
Pub. Date: 2006-01-05
Publisher(s): Liverpool University Press
List Price: $61.60

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Summary

The aim of this important and still valuable book--first published in 1968 but never before available in paperback--is to help all who approach Virgil's "Aeneid seriously, whether in the original Latin or in English translation, to read it with discernment and appreciation. It offers itself as neither a bandbook nor a commentary, but as critical description of the poem's structure and aspects of its composition. It begins with a preliminary exploration of the poem's central purpose; a careful reconstruction of its literary and historical context (following the battle of Actium in 31 BC, which made Augustus Caeser master of the Roman world); and a description of the main outlines of its structure. At the book's core is a detailed analysis of each of the epic's twelve books, with particular emphasis on the later, less often read ones; and this is followed by two further chapters, one dealing with Virgil's use of form and some related theroetical problems, the other with a closer exmaination of the poem's verbal fabric.

Author Biography

Kenneth Quinn was a fellow of St John’s College, Cambridge and later became Professor of Classics in the University of Otago, New Zealand. He is author of The Catullan Revolution (1959; repr. BCP, 1999), Latin Explorations (Routledge, 1963) and standard editions of Catullus’ Poems (1970) and of Horace: Odes (1980).

Table of Contents

PREFACE ix
ABBREVIATIONS xi
1. THE HEROIC IMPULSE 1(22)
2. GENESIS
I. What is the Aeneid about?
23(3)
II. The Task and its Problems
26(8)
III. The Problems Solved
34(25)
3. STRUCTURE
I. General Description
59(5)
II. Structure of the Twelve Books
64(7)
III. The Episodes
71(6)
IV. Projection of the Narrator into his Narrative
77(7)
V. Parallel and Suspended Narrative
84(4)
VI. Tempo of the Narrative: Tenses
88(11)
4. THE TWELVE BOOKS
Book 1
99(13)
Book 2
112(9)
Book 3
121(14)
Book 4
135(15)
Book 5
150(10)
Book 6
160(14)
Book 7
174(15)
Book 8
189(9)
Book 9
198(14)
Book 10
212(21)
Book 11
233(19)
Book 12
252(25)
5. FORM AND TECHNIQUE
Part 1: Form
277(22)
I. Not Only Homer
278(6)
II. Difference in Attitude between Virgil and Homer
284(4)
III. The Exploitation of Form
288(5)
IV. Impure Poetry
293(6)
Part 2: Technique
299(24)
I. Gods
300(7)
II. Characterization and Motivation
307(9)
III. Parallel Divine and Psychological Motivation
316(4)
IV. Fate
320(3)
Part 3: The Contribution of Tragedy
323(27)
I. Tragic Attitude
324(3)
II. Tragic Suspense
327(3)
III. Tragic Irony and Insight
330(9)
IV. Implicit Comment
339(11)
6. STYLE
I. Words Alone
350(3)
II. Words in Action
353(61)
(i) The Tradition
355(29)
(a) Ennius and the Old Poets
355(15)
(b) Catullus and the New Poets
370(5)
(c) A Common Style
375(9)
(ii) Innovation—callida iunctura
384(10)
(a) Latent Metaphor
391(2)
(b) Archaism brought out by Context
393(1)
(c) Etymological Puns
393(1)
(iii) Ambiguity
394(11)
(iv) Syntactical Ambiguity
405(9)
III. The Virgilian Sentence
414(27)
(i) Metre
415(8)
(ii) Theme and Variation
423(5)
(iii) Subordinate Clauses
428(3)
(iv) Imagery
431(10)
LIST OF PASSAGES DISCUSSED 441(4)
INDEX 445

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