Author's Notes |
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7 | (1) |
About Jim Payne |
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8 | (1) |
About the Charts, the Photos and the Discography |
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9 | (2) |
Tito Puente∼King of the Timbales |
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11 | (24) |
A Brief History of Afro-Cuban Music |
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35 | (18) |
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The Clave∼The Key to the Music |
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53 | (4) |
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Cascara and Tumbao∼The Rhythm Section Partnership |
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57 | (10) |
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57 | (5) |
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Basic Cascara for Timbales and Drumset |
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57 | (3) |
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60 | (1) |
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61 | (1) |
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Tumbao and the Rhythm Section Partnership |
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62 | (4) |
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62 | (1) |
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62 | (2) |
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64 | (1) |
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64 | (1) |
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Drumset Bass Drum Patterns |
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65 | (1) |
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66 | (1) |
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The Mambo Bell Pattern∼Transition to the Montuno |
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67 | (6) |
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67 | (1) |
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Transition from Cascara to the Mambo Bell Pattern |
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68 | (5) |
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Change of Clave Feeling∼3-2 and 2-3 Demystified |
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73 | (6) |
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Exercises for Understanding the Change of Clave Feeling |
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73 | (4) |
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Practice Charts for Change of Clave Feeling |
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77 | (2) |
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Song Form∼Intro, Verse, Montuno |
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79 | (4) |
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Percussion parts to be played in the different sections: |
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79 | (4) |
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79 | (1) |
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80 | (1) |
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80 | (1) |
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80 | (1) |
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80 | (1) |
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81 | (1) |
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81 | (2) |
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83 | (4) |
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``Cuando Te Vea''-Original recording, Tito Puente |
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83 | (1) |
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Drum Chart#1 (``Cuando Te Vea'') |
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84 | (1) |
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``Complication''-Original recording, Tito Puente |
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85 | (1) |
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Drum Chart#2 (``Complication'') |
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85 | (2) |
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87 | (8) |
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How to practice these exercises: |
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88 | (2) |
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Drumset Rhythms 2:3 Clave |
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90 | (2) |
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Drumset Rhythms 3:2 Clave |
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92 | (3) |
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95 | (6) |
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95 | (1) |
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95 | (1) |
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Abanicos using 5,7 and 9 stroke rolls |
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95 | (3) |
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Different Techniques for the Abanico |
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98 | (1) |
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Transition from Paila to Bell with an Abanico in 3:2 Clave |
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99 | (2) |
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101 | (10) |
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101 | (2) |
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103 | (1) |
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Tito's Recorded Mambo Bell Variations |
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104 | (7) |
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Tito's Music Part 2∼Mambo |
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111 | (8) |
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``Saca Tu Mujer''-Original recording, Tito Puente |
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111 | (1) |
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Drum Chart#3 (``Saca Tu Mujer'') |
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112 | (1) |
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``Mambo Gozon''-Original recording, Tito Puente |
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113 | (1) |
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Drum Chart#4 (``Mambo Gozon'') |
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113 | (2) |
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``Ran Kan Kan''-Original recording, Tito Puente |
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115 | (1) |
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Drum Chart#5 (``Ran Kan Kan'') |
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116 | (3) |
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119 | (6) |
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120 | (1) |
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Tito's Recorded Cha Cha Rhythms |
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121 | (4) |
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Tito's Music Part 3∼The Cha Cha Cha |
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125 | (4) |
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``Oye Como Va''-Original recording, Tito Puente |
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125 | (1) |
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Drum Chart#6 (``Oye Como Va'') |
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126 | (1) |
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``El Cayuco''-Original recording, Tito Puente |
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127 | (1) |
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Drum Chart#7 (``El Cayuco'') |
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128 | (1) |
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Danzon and Bolero∼The Baqueteo and Breaks |
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129 | (6) |
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130 | (1) |
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131 | (1) |
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Tito Plays Bolero Cascara |
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131 | (1) |
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132 | (3) |
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135 | (8) |
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135 | (2) |
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137 | (1) |
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138 | (1) |
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Tito Plays a 6/8 Timbale Solo |
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138 | (1) |
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Transition From 4/4 to 6/8 |
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139 | (2) |
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Tito's Original Music With A Transition From 4/4 to 6/8 |
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141 | (1) |
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``Mi Chiquita Quiere Bembe''-Original recording, Tito Puente |
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141 | (1) |
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Drum Chart#8 (``Mi Chiquita Quiere Bembe'') |
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142 | (1) |
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Timbale Solo Concepts and Warm-up Figures |
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143 | (12) |
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A Story About Syncopation |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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144 | (1) |
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Listening to other members of the rhythm section |
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144 | (1) |
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144 | (1) |
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Timbale Solo Warm-Up Figures |
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145 | (10) |
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146 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (4) |
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152 | (3) |
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The King of the Timbales∼Solos, Solos, Solos |
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155 | (12) |
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Just Timbales-Tito plays solo Timbales in 4/4 |
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155 | (1) |
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Tito's Timbale Solos on Original Recordings with Transcriptions |
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155 | (1) |
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``Mambo Beat''-Original recording, Tito Puente |
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156 | (1) |
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Drum Chart#9 (``Mambo Beat'') |
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156 | (2) |
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Solo Transcription (``Mambo Beat'') |
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158 | (1) |
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``Ti Mon Bo''-Original recording, Tito Puente |
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159 | (1) |
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Solo Transcription (``Ti Mon Bo'') |
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160 | (1) |
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``Timbalero''-Original recording, Tito Puente |
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161 | (1) |
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Drum Chart#10 (``Timbalero'') |
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162 | (1) |
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Solo Transcription (``Timbalero'') |
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163 | (3) |
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``Timbale Solo''-Original recording, Tito Puente |
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166 | (1) |
Discography |
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167 | (4) |
Endnotes |
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171 | (2) |
Glossary |
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173 | (4) |
Bibliography |
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177 | (2) |
Acknowledgements |
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179 | (2) |
Index |
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181 | (4) |
Audio CD Index |
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185 | |