Introduction to Digital Video |
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Introduction |
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1 | (2) |
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3 | (12) |
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5 | (2) |
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DV (Mini DV and DVCAM) Is |
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5 | (1) |
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6 | (1) |
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6 | (1) |
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7 | (2) |
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A Short History of Film and How It Relates to DV |
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9 | (2) |
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9 | (1) |
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9 | (1) |
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10 | (1) |
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10 | (1) |
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10 | (1) |
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10 | (1) |
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Film and the 20th Century |
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11 | (2) |
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How Many DV Camcorders Are out There? |
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13 | (1) |
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14 | (1) |
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Five Minute DV Introductory Course |
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15 | (6) |
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16 | (5) |
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A Guide for the Perplexed |
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18 | (1) |
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Five Minutes and Counting |
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18 | (3) |
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21 | (10) |
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21 | (1) |
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22 | (3) |
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23 | (1) |
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23 | (1) |
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24 | (1) |
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25 | (2) |
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26 | (1) |
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26 | (1) |
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26 | (1) |
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26 | (1) |
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27 | (3) |
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27 | (1) |
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27 | (1) |
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28 | (1) |
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28 | (1) |
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Write-Protect = Playback Only |
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29 | (1) |
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29 | (1) |
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Emergency: Middle of a Shoot, Can't Find More DVCAM Tapes |
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29 | (1) |
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30 | (1) |
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A Short Catalog of DV Tape |
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31 | (4) |
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32 | (1) |
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33 | (1) |
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Standard (Large) DV (6mm) Cassettes |
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33 | (1) |
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34 | (1) |
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35 | (18) |
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35 | (2) |
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37 | (7) |
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37 | (1) |
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Three Chip Cameras (3 CCDs) |
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37 | (1) |
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Luminance and Chrominance |
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37 | (1) |
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38 | (1) |
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38 | (1) |
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DV Components and Conversion |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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41 | (1) |
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42 | (1) |
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42 | (1) |
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42 | (1) |
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42 | (1) |
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42 | (1) |
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Comparing DV with DigiBeta |
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43 | (1) |
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43 | (1) |
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43 | (1) |
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44 | (3) |
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45 | (1) |
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45 | (1) |
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46 | (1) |
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46 | (1) |
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47 | (3) |
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49 | (1) |
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49 | (1) |
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49 | (1) |
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Data Throughput Speed Chart |
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50 | (3) |
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50 | (3) |
How to Use a DV Camcorder |
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53 | (34) |
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54 | (3) |
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57 | (5) |
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Quick Start: Shooting with the PD100A |
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62 | (5) |
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Removing and Attaching Battery |
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62 | (1) |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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66 | (1) |
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66 | (1) |
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67 | (1) |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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70 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (6) |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (1) |
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74 | (1) |
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75 | (1) |
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75 | (1) |
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76 | (1) |
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Daylight (Outdoor, 5600°K) White Balance |
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77 | (1) |
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Tungsten (Indoor, 3200°K) White Balance |
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77 | (1) |
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77 | (1) |
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Zebra Stripes and Exposure |
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78 | (2) |
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80 | (4) |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (2) |
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84 | (1) |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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85 | (1) |
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86 | (1) |
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86 | (1) |
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86 | (1) |
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87 | (4) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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91 | (16) |
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91 | (1) |
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92 | (4) |
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92 | (1) |
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Progressive or Interlace Scan |
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93 | (1) |
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Recording Stills on Memory Stick |
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94 | (1) |
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95 | (1) |
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Memory Stick Picture Quality Menu |
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95 | (1) |
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96 | (2) |
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96 | (1) |
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Viewing Stills on Memory Stick |
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97 | (1) |
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Transferring Stills to Computer |
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98 | (4) |
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Plug Camera into Computer |
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98 | (1) |
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99 | (2) |
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Downloading Memory Stick Photos |
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101 | (1) |
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102 | (1) |
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Touching up Your Pictures |
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103 | (4) |
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103 | (1) |
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104 | (1) |
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Screen DPI to Printer DPI |
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104 | (1) |
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105 | (1) |
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106 | (1) |
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107 | (8) |
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109 | (1) |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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111 | (1) |
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Recording Audio Separately |
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111 | (4) |
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115 | (10) |
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115 | (1) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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Sony DVGate Motion Capture |
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119 | (2) |
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119 | (1) |
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DVGate Motion Automatic Video Capture |
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120 | (1) |
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121 | (4) |
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Digital Origin IntroDV 2.0 |
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121 | (1) |
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Digital Origin CineStream (previously EditDV) |
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121 | (1) |
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122 | (1) |
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Pinnacle Studio DV Interface |
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123 | (1) |
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124 | (1) |
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124 | (1) |
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124 | (1) |
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125 | (14) |
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126 | (1) |
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127 | (3) |
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128 | (1) |
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129 | (1) |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (2) |
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132 | (1) |
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132 | (1) |
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132 | (1) |
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Adobe Premiere 6 Interface |
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132 | (1) |
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133 | (1) |
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133 | (1) |
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133 | (1) |
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Serious Boards and Software |
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134 | (2) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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Canopus DVRexRT Professional |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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How Many Hard Drives Do I Need? |
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137 | (2) |
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138 | (1) |
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Buying or Renting Extra Drives |
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138 | (1) |
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139 | (12) |
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140 | (7) |
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141 | (1) |
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141 | (1) |
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142 | (1) |
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142 | (1) |
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142 | (1) |
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142 | (1) |
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143 | (1) |
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143 | (1) |
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143 | (1) |
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143 | (1) |
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144 | (1) |
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Laser Film Recorder (Printer) |
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144 | (1) |
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144 | (1) |
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144 | (1) |
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145 | (1) |
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145 | (1) |
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145 | (1) |
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Keeping DV to Film in Mind |
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146 | (1) |
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147 | (1) |
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148 | (3) |
Accessories and Techniques |
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151 | (8) |
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Comparison of CCD Size and Film Apertures |
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151 | (2) |
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DV Lens Specs and 35mm Still Equivalents |
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152 | (1) |
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DV Lenses and 35mm Motion Picture Equivalents |
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152 | (1) |
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Conversion Chart: DV to 35mm |
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152 | (1) |
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Why DV Doesn't Look Like Film |
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153 | (1) |
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153 | (1) |
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154 | (2) |
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Century Precision and Op Tex |
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155 | (1) |
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155 | (1) |
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155 | (1) |
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155 | (1) |
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155 | (1) |
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Optex PL to XL-1 Lens Mount Adapter |
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156 | (1) |
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Canon 1/3`` and 1/2'' Lenses |
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156 | (1) |
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156 | (1) |
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18x with built-in doubler |
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156 | (1) |
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156 | (1) |
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12x with built-in doubler |
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156 | (1) |
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157 | (2) |
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159 | (6) |
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159 | (4) |
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Using Lightmeter Instead of Waveform Monitor |
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160 | (1) |
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161 | (1) |
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162 | (1) |
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162 | (1) |
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163 | (1) |
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163 | (1) |
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164 | (1) |
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165 | (8) |
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Filter Sizes for Camcorders |
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166 | (3) |
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169 | (4) |
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169 | (1) |
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169 | (3) |
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Set Camera to Manual Control |
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172 | (1) |
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173 | (4) |
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174 | (1) |
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175 | (1) |
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175 | (1) |
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176 | (1) |
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176 | (1) |
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177 | (4) |
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178 | (1) |
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178 | (3) |
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Dubbing to BetaSP UVW-1800 |
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180 | (1) |
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181 | (12) |
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Caring for Your Camcorder |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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183 | (1) |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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185 | (1) |
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186 | (3) |
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Accessories for Skydance Velocity Helmet |
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187 | (1) |
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187 | (1) |
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187 | (1) |
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Velocity Side Mount Platform |
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187 | (1) |
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Velocity Top Mount Platform |
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187 | (1) |
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188 | (1) |
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189 | (4) |
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189 | (1) |
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190 | (1) |
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190 | (1) |
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190 | (3) |
Choosing a DV Camcorder |
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193 | (8) |
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Or, How to Translate all Those Labels |
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193 | (1) |
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193 | (1) |
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194 | (1) |
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195 | (1) |
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195 | (3) |
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198 | (2) |
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How to Choose a DV Camcorder |
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200 | (1) |
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200 | (1) |
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DV Camcorder Shopping List |
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201 | (18) |
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202 | (4) |
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202 | (1) |
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202 | (1) |
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203 | (1) |
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Canon ZR20, ZR25 MC and ZR30 MC |
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204 | (1) |
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205 | (1) |
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206 | (3) |
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207 | (1) |
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207 | (1) |
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208 | (1) |
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209 | (3) |
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209 | (1) |
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209 | (1) |
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209 | (1) |
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210 | (1) |
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210 | (1) |
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210 | (1) |
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210 | (1) |
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211 | (1) |
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212 | (7) |
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Panasonic Comparison Chart |
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212 | (1) |
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213 | (1) |
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213 | (1) |
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214 | (1) |
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214 | (1) |
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215 | (1) |
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215 | (1) |
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216 | (1) |
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216 | (1) |
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217 | (1) |
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218 | (1) |
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218 | (1) |
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219 | (16) |
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Sony Palm-sized Camcorders |
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219 | (16) |
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Sony DCR-PC5 Mini DV Camcorder |
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219 | (1) |
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220 | (1) |
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221 | (1) |
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Sony PC-100 Additional Info |
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222 | (1) |
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223 | (1) |
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Optional Accessories for Sony DCR-PC110 |
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224 | (1) |
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225 | (1) |
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226 | (2) |
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228 | (2) |
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230 | (1) |
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Sony DSR-PD100A Accessories |
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231 | (1) |
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232 | (1) |
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233 | (1) |
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Sony DCR-VX2000 Additional Speces |
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234 | (1) |
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235 | (8) |
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236 | (7) |
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236 | (1) |
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236 | (1) |
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180,000 Dot LCD Precision Black & White Viewfinder |
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236 | (1) |
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236 | (1) |
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PD-150 --- 2 ch XLR Audio Input |
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237 | (1) |
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16-bit/12-bit PCM Digital Sound and Audio Dub Capability |
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237 | (1) |
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237 | (1) |
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237 | (1) |
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PD-150 --- Timecode Preset |
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238 | (1) |
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238 | (1) |
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238 | (1) |
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238 | (1) |
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Digital Still Camera Functions with Memory Stick |
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238 | (1) |
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238 | (1) |
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239 | (1) |
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239 | (1) |
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Still Images on Memory Stick: Quantity and Quality |
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239 | (1) |
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240 | (1) |
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240 | (3) |
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243 | (30) |
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243 | (4) |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (1) |
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Panasonic Broadcast & Television |
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247 | (2) |
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247 | (1) |
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247 | (1) |
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248 | (1) |
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249 | (4) |
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249 | (1) |
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Panasonic AJ-D610WA DVCPRO |
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250 | (3) |
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253 | (10) |
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253 | (1) |
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254 | (1) |
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Sony DSR250 Manual controls: |
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255 | (1) |
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256 | (2) |
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258 | (5) |
Appendix |
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Suppliers by Name and Address |
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263 | (6) |
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268 | (1) |
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269 | (3) |
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270 | (1) |
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270 | (1) |
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271 | (1) |
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Internet Sources on Firewire |
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271 | (1) |
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Internet Sources for DV Camcorders |
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271 | (1) |
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271 | (1) |
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DV, DVCAM and DVCPRO Formats |
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271 | (1) |
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Final Cut Pro vs Avid XPress DV |
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271 | (1) |
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272 | (1) |
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272 | (1) |
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272 | (1) |
Photos and Illustrations |
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273 | (2) |
Index |
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275 | (8) |
About the Author |
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283 | (1) |
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284 | (1) |
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284 | |