
Shanghai Modern : 1919-1945
by Lum, KenRent Book
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Summary
Table of Contents
Congratulations on the exhibition | p. 6 |
Preface | p. 7 |
Preface | p. 8 |
Shanghai modern | p. 18 |
The 'misreading' of life | p. 72 |
Cross-cultural dialogue and artistic innovation : Teng Baiye and Mark Tobey | p. 84 |
Sino-German artistic exchange : its cultural and psychological contexts | p. 104 |
Contemporary Chinese painting : on the exhibition at the Prussian Academy of the Arts, Berlin (1934) | p. 112 |
Modern Chinese painting in London, 1935 | p. 118 |
Huang Binhong and Pan Tianshou | p. 126 |
Composite pictures and Chinese art (1942) | p. 154 |
Waves lashed the bund from the West : Shanghai's art scene in the 1930s | p. 174 |
Early 20th-century women painters in Shanghai | p. 200 |
Aesthetic education in republican China : a convergence of ideals | p. 216 |
The Storm Society Manifesto (October 1932) | p. 234 |
A galaxy of the Storm Society (1 October, 1935) | p. 236 |
The Storm Society | p. 242 |
Reminiscences of Pang Xunqin (1946) | p. 248 |
My memories : visit to Berlin | p. 254 |
The modernist woodcut movement in 1930s China | p. 262 |
Written in the deep of the night : on Kathe Kollwitz (7 April 1936) | p. 290 |
A defense of 'picture books' (1932) | p. 292 |
Films and Shanghai | p. 298 |
A tour of a German film studio (1935) | p. 308 |
Shanghai fashion in the 1930s | p. 318 |
Shanghai modern and the art of the 21st century | p. 350 |
A letter to China's artistic community (1927) | p. 371 |
Manifesto of the Art Movement Society (1929) | p. 373 |
I am bewildered (1929) | p. 373 |
I am "bewildered" too - a letter to Xu Beihong (1929) | p. 374 |
The 1934 exhibition Chinesische Malerei der Gegenwart (Chinese contemporary painting), Hamburg | p. 377 |
Promoting Chinese art (1935) | p. 378 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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