| Acknowledgments |
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xiii | |
| Introduction |
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1 | (20) |
| PART I. ARISTOCRATIC EXCESS AND THE DISPLAY OF RANK |
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"Pride" from The Fable of the Bees (1724) |
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21 | (7) |
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28 | (4) |
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"The Man of the World" (1736) |
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32 | (5) |
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"Discourse on the Arts and Sciences" (1150) |
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37 | (12) |
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"Etiquette and Ceremony: Conduct and Sentiment of Human Beings as Functions of the Power Structure of Their Society" from The Court Society(1969) |
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49 | (16) |
| PART II. PUBLIC DISCOURSE AND THE SEMIOTICS OF DRESS |
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65 | (7) |
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"An Answer to the Question: Would It Be Harmful or Beneficial to Establish a National Uniform?" (1791) |
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72 | (7) |
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"Adornment" from Sociology(1908) |
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79 | (8) |
| PART III. DRESS REFORM AND GENDER |
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"The Benefits of a National Uniform, Declaimed by a Citizen" from Patriotic Fantasies (1715) |
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87 | (6) |
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"Men's Fashion" and "Men's Hats" (1898) |
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93 | (9) |
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"The Great Masculine Renunciation and Its Causes" from The Psychology of Clothes (1930) |
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102 | (7) |
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"The New Costume for the Ladies" and "The New Dress" from The Lily (1851) |
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109 | (8) |
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"Some Realizations in Dress Reform" from Feminism in Germany and Scandinavia (1915) |
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117 | (9) |
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"Social Life" from The Second Sex (1953) |
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126 | (13) |
| PART IV. IDEALIST AESTHETICS |
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"On Art and Craftwork" (1797), "On Objects Portrayed in Visual Arts" (1797), and "On Strict Aesthetic Judgments" (1798/1799) |
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139 | (6) |
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"On Drapery" from Aesthetics (1820) |
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145 | (8) |
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"Fashion and Cynicism" (1879) |
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153 | (12) |
| PART V. DANDYISM |
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"The Dandiacal Body" from Sartor Resartus (1831) |
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165 | (9) |
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"The Anatomy of Dandyism with Some Observations on Beau Brummell" (1845) |
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174 | (18) |
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"The Dandy" from The Painter of Modern Life (1863) |
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192 | (4) |
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"Fashion and the Modern" (1846) |
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196 | (10) |
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"The Dialogue of Fashion and Death" from The Moral Essays (1824) |
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206 | (7) |
| PART VI. GLORIFYING THE ARTIFICIAL |
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"Beauty, Fashion, and Happiness," "Modernity," and "In Praise of Cosmetics" from The Painter of Modern Life (1863) |
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213 | (9) |
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"Jewels" and "Wedding Presents" from La Derniere Mode (1814) |
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222 | (4) |
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"The Pervasion of Rouge" (1896) |
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226 | (6) |
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"The Suitability of Dress" (1882) |
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232 | (7) |
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"The Eroticism of Clothes" from Die Fackel (1906) |
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239 | (6) |
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"Analysis of the Cases (Complex of Symptoms)" from Transvestites: An Investigation into Erotic Masquerade (1910) |
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245 | (16) |
| PART VII. CLASS CONFLICT AND STATUS EMULATION |
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"Conspicuous Consumption" and "Dress as an Expression of the Pecuniary Culture" from The Theory of the Leisure Class (1899) |
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261 | (28) |
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289 | (21) |
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"Economy and Fashion: A Theoretical Contribution on the Formation of Modern Consumer Demand" (1902) |
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310 | (7) |
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317 | (11) |
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"Fashion" from The Principles of Sociology (1902) |
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328 | (5) |
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333 | (8) |
| Notes |
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341 | (8) |
| Permissions |
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349 | (2) |
| Index |
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351 | |