New York Ricans from the Hip Hop Zone

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Format: Hardcover
Pub. Date: 2003-02-08
Publisher(s): Palgrave Macmillan
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Summary

New York Puerto Ricans have been an integral part of hip hop culture since the very beginning: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop is frequently downplayed, if not completely ignored. When their presence has been acknowledged, it is usually misinterpreted as a defection from Puerto Rican culture and identity into the African American camp. But, Rivera argues, nothing could be further from the truth. Through hip hop, Puerto Ricans have simply stretched the boundaries of Puerto Ricanness and latinidad .

Author Biography

Raquel Z. Rivera is a freelance journalist whose articles have appeared in El Diario/La Prensaand Hoyin New York, El Nuevo Dfaand The San Juan Starin Puerto Rico, and in magazines like Critfcas, New York Latino, In the House and Stress. A member of the Puerto Rican music group, "Yerba Buena," Rivera lives in El Barrio, New York City.

Table of Contents

Acknowledgments vii
Preface ix
Introduction
1(20)
Enter the New York Ricans
21(28)
PART I A HISTORICAL NARRATIVE
``It's Just Begun'': The 1970s And Early 1980s
49(30)
Whose Hip Hop?: The Late 1980s and Early 1990s
79(18)
Ghettocentricity, Blackness and Pan-Latinidad: The Mid-to Late 1990s
97(16)
PART II TOPICS AT THE TURN OF THE CENTURY
Latin@s Get Hot and Ghetto-Tropical
113(14)
Butta Pecan Mamis
127(24)
Navigating Blackness and Latinidad through Language
151(14)
Remembering Big Pun
165(20)
Between Blackness and Latinidad: A Brief Historical Overview
185(4)
Epilogue 189(8)
Notes 197(26)
Appendix: Interviews and Articles 223(24)
Fat Joe
223(3)
La Bruja
226(3)
Angie Martinez
229(3)
Dynasty Rockers' Diana
232(3)
Hip Hop Meets Bomba at the Real Wedding of the Millennium
235(4)
Of Artists and Cuties
239(4)
El Barrio's Graffiti Hall of Fame
243(4)
References 247(24)
Index 271(8)
About the Author 279

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