Suggestions to the Student |
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xiii | |
Getting Started |
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xviii | |
UNIT 1 |
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1 | (24) |
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Intervals, Triads, and Scales |
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1 | (24) |
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1 | (1) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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Perfect and augmented fourths: |
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5 | (1) |
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6 | (1) |
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Perfect and diminished fifths: |
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7 | (1) |
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8 | (1) |
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All perfect intervals and tritones: |
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9 | (1) |
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10 | (1) |
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11 | (1) |
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12 | (1) |
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Major and minor sevenths: |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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Introducing diminished triads: |
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19 | (1) |
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20 | (1) |
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Introducing augmented triads: |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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24 | (1) |
UNIT 2 |
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25 | (16) |
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Rhythmic Dictation: Simple Meters |
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25 | (7) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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Melodic Dictation: Seconds, thirds, and fourths |
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32 | (9) |
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32 | (3) |
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35 | (3) |
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38 | (1) |
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39 | (1) |
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40 | (1) |
UNIT 3 |
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41 | (16) |
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Melodic Dictation: Fifths, sixths, and octaves |
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41 | (11) |
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41 | (3) |
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44 | (3) |
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47 | (1) |
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48 | (2) |
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50 | (2) |
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Harmonic Dictation: Four part settings of the tonic triad |
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52 | (5) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
UNIT 4 |
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57 | (32) |
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Rhythmic Dictation: Beat subdivision by 2 |
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57 | (6) |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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Melodic Dictation: The tonic triad and dominant seventh |
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63 | (11) |
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63 | (2) |
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65 | (4) |
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69 | (2) |
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71 | (1) |
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72 | (2) |
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Harmonic Dictation: The tonic triad and dominant seventh |
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74 | (15) |
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74 | (9) |
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83 | (3) |
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86 | (1) |
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87 | (1) |
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88 | (1) |
UNIT 5 |
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89 | (28) |
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Rhythmic Dictation: Beat subdivision by 4, Anacrusis |
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89 | (8) |
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92 | (1) |
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93 | (2) |
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95 | (2) |
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Melodic Dictation: Primary triads and the dominant seventh |
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97 | (10) |
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97 | (1) |
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98 | (4) |
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102 | (2) |
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104 | (1) |
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105 | (2) |
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Harmonic Dictation: Primary triads and the dominant seventh; Cadential tonic six-four |
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107 | (10) |
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107 | (4) |
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Primary triads and the dominant seventh |
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107 | (2) |
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109 | (2) |
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111 | (3) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
UNIT 6 |
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117 | (32) |
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Rhythmic Dictation: Dots and Ties |
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117 | (8) |
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120 | (1) |
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121 | (2) |
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123 | (2) |
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Melodic Dictation: Minor Mode |
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125 | (10) |
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125 | (1) |
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126 | (4) |
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130 | (2) |
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132 | (2) |
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134 | (1) |
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Harmonic Dictation: Minor mode and First inversion of triads |
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135 | (14) |
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135 | (5) |
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135 | (2) |
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First inversion of triads |
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137 | (3) |
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140 | (4) |
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144 | (1) |
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145 | (2) |
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147 | (2) |
UNIT 7 |
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149 | (23) |
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Melodic Dictation: The supertonic triad |
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149 | (10) |
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149 | (1) |
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150 | (4) |
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154 | (1) |
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155 | (2) |
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157 | (2) |
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Harmonic Dictation: The supertonic triad and Inversions of V7 |
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159 | (13) |
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159 | (4) |
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159 | (2) |
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161 | (2) |
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163 | (3) |
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166 | (2) |
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168 | (2) |
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170 | (2) |
UNIT 8 |
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172 | (30) |
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Rhythmic Dictation: Compound Meter |
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172 | (6) |
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175 | (1) |
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176 | (1) |
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177 | (1) |
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Melodic Dictation: All Diatonic Triads |
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178 | (11) |
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178 | (2) |
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180 | (3) |
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183 | (2) |
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185 | (2) |
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187 | (2) |
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Harmonic Dictation: All Diatonic Triads |
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189 | (13) |
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189 | (5) |
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194 | (3) |
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197 | (1) |
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198 | (2) |
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200 | (2) |
UNIT 9 |
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202 | (32) |
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Rhythmic Dictation: Triplets |
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202 | (6) |
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205 | (1) |
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206 | (1) |
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207 | (1) |
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Melodic Dictation: Supertonic and leading tone sevenths |
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208 | (11) |
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208 | (1) |
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209 | (5) |
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214 | (1) |
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215 | (2) |
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217 | (2) |
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Harmonic Dictation: Supertonic and leading tone sevenths |
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219 | (15) |
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219 | (5) |
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224 | (4) |
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228 | (2) |
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230 | (2) |
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232 | (2) |
UNIT 10 |
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234 | (7) |
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Examples from Music Literature |
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234 | (7) |
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234 | (1) |
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Aus meines Herzens Grunde (chorale) |
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235 | (1) |
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Wir glauben all' an einen Gott (chorale) |
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235 | (1) |
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Six variations on Nel cor piu non mi sento |
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236 | (1) |
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Sonatina Op. 88, No. 3, mvt. III |
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236 | (1) |
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String Quintet, K. 581, mvt. IV |
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237 | (1) |
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238 | (1) |
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Sonata in D Major, Hob. XVI:33, Menuetto con Variazioni |
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238 | (1) |
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239 | (1) |
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239 | (1) |
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240 | (1) |
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String Quartet, K. 80, Mvt. III, Trio |
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240 | (1) |
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UNIT 11 |
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241 | (29) |
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Rhythmic Dictation: Syncopation |
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241 | (7) |
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244 | (1) |
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245 | (2) |
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247 | (1) |
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Melodic Dictation: Non-dominant seventh chords |
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248 | (10) |
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248 | (1) |
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249 | (4) |
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253 | (1) |
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254 | (2) |
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256 | (2) |
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Harmonic Dictation: Non-dominant seventh chords |
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258 | (12) |
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258 | (3) |
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261 | (3) |
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264 | (2) |
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266 | (2) |
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268 | (2) |
UNIT 12 |
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270 | (32) |
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Melodic Dictation: Scalar variants, modal borrowing, and decorative chromaticism |
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270 | (15) |
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270 | (6) |
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270 | (1) |
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271 | (2) |
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273 | (3) |
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276 | (4) |
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280 | (2) |
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282 | (2) |
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284 | (1) |
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Harmonic Dictation: Scalar variants and modal borrowing |
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285 | (17) |
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285 | (1) |
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285 | (2) |
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287 | (3) |
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290 | (5) |
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295 | (2) |
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297 | (2) |
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299 | (3) |
UNIT 13 |
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302 | (23) |
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Melodic Dictation: Secondary dominants |
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302 | (10) |
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302 | (1) |
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303 | (4) |
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307 | (1) |
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308 | (2) |
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310 | (2) |
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Harmonic Dictation: Secondary dominants |
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312 | (13) |
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312 | (3) |
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315 | (4) |
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319 | (2) |
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321 | (2) |
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323 | (2) |
UNIT 14 |
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325 | (9) |
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Examples from Music Literature |
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325 | (9) |
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Herr, wie du willst, so shick's mit mir (chorale) |
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325 | (1) |
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Jesu, meiner Seelen Wonne (chorale) |
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325 | (1) |
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Wer nur den lieben Gott laszt walten (chorale) |
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325 | (1) |
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326 | (1) |
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To a Wild Rose, Op. 51, No. 1 |
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326 | (1) |
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327 | (1) |
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327 | (1) |
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328 | (1) |
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Wolfgang Amadeus Mozart String |
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329 | (1) |
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String Quartet, Op. 18, No. 6, mvt. I |
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330 | (1) |
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331 | (1) |
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Jesu, meiner Seelen Wonne (chorale) |
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331 | (1) |
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Es woll'uns Gott genadig sein (chorale) |
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331 | (1) |
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332 | (1) |
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Romanze from Sonatina in G |
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332 | (1) |
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332 | (1) |
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333 | (1) |
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Divertimento in G, Hob. II:3 |
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333 | (1) |
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UNIT 15 |
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334 | (20) |
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Melodic Dictation: Modulation to closely related keys |
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334 | (9) |
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334 | (5) |
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339 | (1) |
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340 | (2) |
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342 | (1) |
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Harmonic Dictation: Modulation to closely related keys |
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343 | (11) |
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343 | (5) |
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348 | (2) |
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350 | (2) |
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352 | (2) |
UNIT 16 |
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354 | (33) |
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Rhythmic Dictation: Quintuple meter |
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354 | (8) |
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354 | (1) |
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355 | (3) |
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358 | (1) |
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359 | (2) |
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361 | (1) |
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Melodic Dictation: The Neapolitan 6th chord, augmented sixth chords, and modulation to distantly related keys |
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362 | (12) |
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362 | (2) |
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364 | (4) |
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368 | (2) |
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370 | (2) |
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372 | (2) |
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Harmonic Dictation: The Neapolitan 6th chord, augmented sixth chords, and modulation to distantly related keys |
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374 | (13) |
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374 | (3) |
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377 | (4) |
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381 | (2) |
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383 | (2) |
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385 | (2) |
UNIT 17 |
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387 | (1) |
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Examples from Music Literature |
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387 | (1) |
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Ach Gott, vom Himmel sieh' darein (chorale) |
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387 | (1) |
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Befiehl du deine Wege (chorale) |
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387 | (1) |
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Ach Gott, wie manches Herzeleid (chorale) |
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388 | (1) |
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Hilf, Herr Jesu, lass gelingen (chorale) |
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389 | (1) |
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390 | (1) |
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391 | (1) |
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392 | (1) |
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392 | (1) |
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Bagatelle, Op. 119, No. 1 |
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393 | (1) |
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Minuet in G Major, WoO 10, No. 2 |
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393 | (1) |
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394 | (1) |
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394 | (1) |
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Divertimento, Hob II:18, mvt. III, Trio |
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395 | (1) |
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Quartet, Op. 18, No. 1, mvt. III |
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396 | (1) |
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Quartet, Op. 18, No. 4, mvt. III |
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397 | (1) |
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Quartet, Op. 18, No. 4, mvt. IV |
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398 | (1) |
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Quartet, K. 421, mvt. III |
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399 | (1) |
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400 | (2) |
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402 | (1) |
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Befiehl du deine Wege (chorale) |
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402 | (1) |
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402 | (1) |
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Sonata, Hob. XVI:37, mvt. III |
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403 | (1) |
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Sonata ``Pathetique,'' Op. 13, mvt. III |
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403 | (1) |
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404 | (1) |
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Meine Seel' erhebt den Herren (chorale) |
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404 | (1) |
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Sonata, Op. 14, No. 1, mvt. II |
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405 | (1) |
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405 | (1) |
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Quartet, Op. 18, No. 2, mvt. III, Trio |
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406 | (1) |
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407 | (1) |
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Jesu, meine Freude (chorale) |
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407 | (1) |
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``Important Event,'' Op. 15, No. 6 |
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408 | (1) |
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Rigaudon, Op. 40, No. 5, Trio |
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408 | (1) |
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Quartet, Op. 18, No. 3, mvt. III |
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409 | |
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