| Acknowledgments |
|
xv | |
| Introduction |
|
xix | |
| A Note on the Selection, Texts, and Order of Presentation |
|
xxx | |
|
Continental Interlude I: Futurism (1909--14) |
|
|
1 | (460) |
|
The Founding and the Manifesto of Futurism (Feb. 1909) |
|
|
3 | (3) |
|
|
|
Futurist Speech to the English (Dec. 1910) |
|
|
6 | (3) |
|
|
|
Contempt for Woman (from Le Futurisme, 1911) |
|
|
9 | (2) |
|
|
|
The Exhibitors to the Public (Feb. 1912) |
|
|
11 | (4) |
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|
|
|
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|
|
|
|
|
|
Technical Manifesto of Futurist Literature (May 1912) |
|
|
15 | (5) |
|
|
|
A Response to Objections (Aug 1912) |
|
|
20 | (3) |
|
|
|
The Art of Noises: A Futurist Manifesto (Mar. 1913) |
|
|
23 | (4) |
|
|
|
Destruction of Syntax--Wireless Imagination--Words-in-Freedom (May 1913) |
|
|
27 | (7) |
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|
|
The Variety Theater (Sept. 1913) |
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|
34 | (5) |
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|
|
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|
39 | (74) |
|
|
|
|
|
|
39 | (2) |
|
Portrait d'une Femme (1912) |
|
|
41 | (1) |
|
|
|
42 | (1) |
|
In a Station of the Metro (1913) |
|
|
43 | (1) |
|
Salutation the Third (1914) |
|
|
43 | (1) |
|
|
|
44 | (1) |
|
Song of the Bowmen of Shu (1915) |
|
|
44 | (1) |
|
The River-Merchant's Wife: A Letter (1915) |
|
|
45 | (1) |
|
Poem by the Bridge at Ten-Shin (1915) |
|
|
45 | (1) |
|
The Jewel Stairs' Grievance (1915) |
|
|
46 | (1) |
|
The Coming of War: Actaeon (1915) |
|
|
46 | (1) |
|
|
|
47 | (1) |
|
|
|
47 | (1) |
|
|
|
48 | (1) |
|
Hugh Selwyn Mauberley (1920) |
|
|
48 | (13) |
|
|
|
61 | (33) |
|
|
|
62 | (2) |
|
The Malatesta Cantos, VIII to XI (1923) |
|
|
64 | (25) |
|
|
|
89 | (4) |
|
|
|
93 | (1) |
|
|
|
|
|
|
94 | (1) |
|
A Few Don'ts by an Imagiste (1912) |
|
|
95 | (2) |
|
|
|
97 | (2) |
|
The Chinese Written Character as Medium for Poetry (1918) |
|
|
99 | (14) |
|
|
|
113 | (61) |
|
|
|
|
The Love Song of J. Alfred Prufrock (1915) |
|
|
114 | (3) |
|
La Figlia che piange (1916) |
|
|
117 | (1) |
|
Sweeney Among the Nightingales (1918) |
|
|
118 | (1) |
|
|
|
119 | (2) |
|
|
|
121 | (2) |
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123 | (20) |
|
|
|
|
|
|
143 | (9) |
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|
|
|
Tradition and the Individual Talent (1919) |
|
|
152 | (4) |
|
The Lesson of Baudelaire (1921) |
|
|
156 | (2) |
|
|
|
158 | (5) |
|
London Letter: November 1922 (Marie Lloyd) |
|
|
163 | (2) |
|
Ulysses, Order, and Myth (1923) |
|
|
165 | (2) |
|
Charles Baudelaire (Introduction to Journaux intimes) (1930) |
|
|
167 | (7) |
|
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|
174 | (37) |
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|
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|
Enemy of the Stars (1914) |
|
|
175 | (14) |
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189 | (7) |
|
The Death of the Ankou (1927) |
|
|
196 | (5) |
|
|
|
|
|
|
201 | (6) |
|
Inferior Religions (1917) |
|
|
207 | (4) |
|
|
|
211 | (90) |
|
Araby (1914), from Dubliners |
|
|
212 | (3) |
|
A Little Cloud (1914), from Dubliners |
|
|
215 | (8) |
|
Aeolus (1922), from Ulysses |
|
|
223 | (32) |
|
Nausicaa (1922), from Ulysses |
|
|
255 | (28) |
|
Anna Livia Plurabelle (1939), from Finnegans Wake |
|
|
283 | (18) |
|
|
|
301 | (72) |
|
|
|
|
|
|
302 | (1) |
|
The Wild Swans at Coole (1917) |
|
|
302 | (1) |
|
In Memory of Major Robert Gregory (1918) |
|
|
303 | (3) |
|
|
|
306 | (2) |
|
|
|
308 | (1) |
|
|
|
309 | (34) |
|
Sailing to Byzantium (1927) |
|
|
309 | (1) |
|
|
|
310 | (4) |
|
Meditations in Time of Civil War (1923) |
|
|
314 | (5) |
|
Nineteen Hundred and Nineteen (1921) |
|
|
319 | (3) |
|
|
|
322 | (1) |
|
|
|
323 | (1) |
|
|
|
323 | (1) |
|
A Prayer for my Son (1922) |
|
|
323 | (1) |
|
Two Songs from a Play (1927) |
|
|
324 | (1) |
|
|
|
325 | (1) |
|
|
|
325 | (1) |
|
On a Picture of a Black Centaur by Edmund Dulac (1922) |
|
|
326 | (1) |
|
Among School Children (1927) |
|
|
327 | (2) |
|
|
|
329 | (1) |
|
The Hero, the Girl, and the Fool (1922) |
|
|
330 | (1) |
|
Owen Ahern and his Dancers (1924) |
|
|
330 | (1) |
|
A Man Young and Old (1927) |
|
|
331 | (3) |
|
The Three Monuments (1927) |
|
|
334 | (1) |
|
From `Oedipus at Colonus' (1927) |
|
|
335 | (1) |
|
The Gift of Harun Al-Rashid (1924) |
|
|
335 | (4) |
|
|
|
339 | (4) |
|
|
|
343 | (8) |
|
Crazy Jane and the Bishop (1930) |
|
|
343 | (1) |
|
|
|
344 | (1) |
|
Coole and Ballylee, 1931 (1932) |
|
|
345 | (2) |
|
In Memory of Eva Gore-Booth and Con Markievicz (1933) |
|
|
347 | (1) |
|
Come Gather Round Me Parnellites (1937) |
|
|
348 | (1) |
|
|
|
348 | (1) |
|
|
|
349 | (1) |
|
The Circus Animals' Desertion (1939) |
|
|
350 | (1) |
|
|
|
|
At the Hawk's Well (1916) |
|
|
351 | (9) |
|
|
|
|
Note on the First Performance of ``At the Hawk's Well'' (1917) |
|
|
360 | (2) |
|
``Introduction'' to Certain Noble Plays of Japan (1916) |
|
|
362 | (8) |
|
|
|
370 | (3) |
|
|
|
373 | (44) |
|
Prose Poems and Portraits |
|
|
|
|
|
373 | (27) |
|
A Sweet Tail (Gypsies) (1922) |
|
|
400 | (2) |
|
Tourty or Tourtebattre (1922) |
|
|
402 | (2) |
|
A Description of the Fifteenth of November: A Portrait of T. S. Eliot (1934) |
|
|
404 | (3) |
|
|
|
|
Composition as Explanation (1926) |
|
|
407 | (5) |
|
What Are Master-pieces and Why Are There So Few of Them (1940) |
|
|
412 | (5) |
|
|
|
417 | (24) |
|
|
|
|
Virgins Plus Curtains Minus Dots (1915) |
|
|
417 | (2) |
|
The Effectual Marriage, or the Insipid Narrative of Gina and Miovanni (1917) |
|
|
419 | (2) |
|
|
|
421 | (1) |
|
|
|
422 | (2) |
|
Brancusi's Golden Bird (1922) |
|
|
424 | (1) |
|
|
|
425 | (1) |
|
|
|
426 | (1) |
|
|
|
|
Aphorisms on Futurism (1914) |
|
|
427 | (2) |
|
|
|
429 | (3) |
|
|
|
432 | (5) |
|
|
|
437 | (4) |
|
|
|
441 | (20) |
|
|
|
|
|
|
441 | (1) |
|
|
|
442 | (1) |
|
|
|
442 | (1) |
|
|
|
443 | (1) |
|
|
|
443 | (1) |
|
|
|
444 | (1) |
|
|
|
444 | (4) |
|
|
|
448 | (1) |
|
She Rebukes Hippolyta (1921) |
|
|
449 | (1) |
|
|
|
450 | (3) |
|
|
|
453 | (1) |
|
|
|
453 | (1) |
|
|
|
454 | (7) |
|
Continental Interlude II: Dada (1916--21) |
|
|
461 | (256) |
|
En Avant Dada: A History of Dadaism (1920) |
|
|
462 | (15) |
|
|
|
Dada Fragments (1916--17) |
|
|
477 | (2) |
|
|
|
|
|
479 | (5) |
|
|
|
|
|
484 | (5) |
|
|
|
|
|
489 | (4) |
|
|
|
|
|
493 | (5) |
|
|
|
|
|
|
|
498 | (2) |
|
|
|
|
|
500 | (53) |
|
|
|
|
|
|
500 | (37) |
|
|
|
|
|
|
537 | (5) |
|
A Note on the Recent Work of James Joyce (1927) |
|
|
542 | (3) |
|
The Work of Gertrude Stein (1930) |
|
|
545 | (3) |
|
A Draft of XXX Cantos by Ezra Pound (1931) |
|
|
548 | (5) |
|
|
|
553 | (25) |
|
|
|
|
|
|
553 | (3) |
|
The Colonel's Shoes (1920) |
|
|
556 | (5) |
|
|
|
561 | (5) |
|
|
|
|
|
|
566 | (12) |
|
|
|
578 | (26) |
|
|
|
|
|
|
578 | (2) |
|
|
|
580 | (1) |
|
|
|
581 | (1) |
|
|
|
582 | (2) |
|
|
|
584 | (3) |
|
|
|
|
The Reality of Feminism (1917) |
|
|
587 | (4) |
|
Women and the Future (1924) |
|
|
591 | (4) |
|
|
|
595 | (3) |
|
Continuous Performance (1932) |
|
|
598 | (1) |
|
Adventure for Readers (1939) |
|
|
599 | (5) |
|
|
|
604 | (42) |
|
|
|
|
|
|
604 | (3) |
|
|
|
607 | (1) |
|
Le Monocle de Mon Oncle (1918) |
|
|
608 | (3) |
|
The Paltry Nude Starts on a Spring Voyage (1919) |
|
|
611 | (1) |
|
Anecdote of the Jar (1919) |
|
|
612 | (1) |
|
|
|
612 | (1) |
|
Tea at the Palaz of Hoon (1921) |
|
|
612 | (1) |
|
The Ordinary Women (1922) |
|
|
613 | (1) |
|
The Revolutionists Stop for Orangeade (1931) |
|
|
614 | (1) |
|
Idea of Order at Key West (1934) |
|
|
614 | (2) |
|
The Poems of Our Climate (1938) |
|
|
616 | (1) |
|
|
|
616 | (8) |
|
The Auroras of Autumn (1948) |
|
|
624 | (6) |
|
|
|
|
The Noble Rider and the Sound of Words (1942) |
|
|
630 | (16) |
|
|
|
646 | (47) |
|
|
|
|
|
|
647 | (1) |
|
Pedantic Literalist (1916) |
|
|
647 | (1) |
|
|
|
648 | (1) |
|
|
|
649 | (1) |
|
|
|
650 | (1) |
|
|
|
651 | (1) |
|
|
|
651 | (1) |
|
|
|
652 | (9) |
|
|
|
661 | (1) |
|
[Moore's Notes to Observations] |
|
|
661 | (4) |
|
|
|
|
|
|
665 | (2) |
|
|
|
667 | (1) |
|
|
|
667 | (4) |
|
|
|
671 | (2) |
|
The Paper Nautilus (1940) |
|
|
673 | (1) |
|
|
|
674 | (1) |
|
He ``Digesteth Harde Yron'' (1941) |
|
|
675 | (1) |
|
[Moore's Notes to Complete Poems (1967)] |
|
|
676 | (1) |
|
|
|
|
|
|
677 | (2) |
|
|
|
679 | (2) |
|
|
|
681 | (5) |
|
A Poet of the Quattrocento (1927) |
|
|
686 | (2) |
|
|
|
688 | (1) |
|
A Draft of XXX Cantos (1931) |
|
|
689 | (2) |
|
|
|
691 | (2) |
|
|
|
693 | (24) |
|
|
|
|
Indissoluble Matrimony (1914) |
|
|
693 | (13) |
|
|
|
|
|
|
706 | (4) |
|
High Fountain of Genius (1928) |
|
|
710 | (3) |
|
What Is Mr. T. S. Eliot's Authority as a Critic? (1932) |
|
|
713 | (4) |
|
Continental Interlude III: Surrealism (1922--39) |
|
|
717 | (369) |
|
Manifesto of Surrealism (1924) |
|
|
718 | (24) |
|
|
|
|
|
742 | (4) |
|
|
|
Midnight at Two O'Clock (1928) |
|
|
746 | (4) |
|
|
|
From the Heart to the Absolute (1929) |
|
|
750 | (3) |
|
|
|
The Possessions, from the Immaculate Conception (1930) |
|
|
753 | (9) |
|
|
|
|
|
|
|
762 | (15) |
|
|
|
|
|
|
762 | (1) |
|
The Carnivals of Peace (1916) |
|
|
763 | (1) |
|
|
|
763 | (1) |
|
|
|
764 | (1) |
|
Horns in the Valley (1923) |
|
|
764 | (1) |
|
|
|
765 | (2) |
|
|
|
|
Black Man and White Ladyship (1931) |
|
|
767 | (3) |
|
|
|
770 | (5) |
|
The Exodus from Spain (1939) |
|
|
775 | (2) |
|
|
|
777 | (35) |
|
|
|
|
|
|
777 | (5) |
|
|
|
782 | (6) |
|
|
|
788 | (12) |
|
|
|
800 | (7) |
|
Friendship's Garland (1925) |
|
|
807 | (5) |
|
|
|
812 | (15) |
|
|
|
|
My Grandmother's Love Letters (1920) |
|
|
812 | (1) |
|
|
|
813 | (1) |
|
|
|
813 | (1) |
|
|
|
814 | (1) |
|
The Wine Menagerie (1926) |
|
|
814 | (2) |
|
At Melville's Tomb (1926) |
|
|
816 | (1) |
|
|
|
816 | (4) |
|
|
|
820 | (1) |
|
|
|
820 | (1) |
|
Bacardi Spreads the Eagle's Wings (1927) |
|
|
821 | (1) |
|
To Emily Dickinson (1927) |
|
|
821 | (1) |
|
|
|
822 | (1) |
|
|
|
822 | (1) |
|
|
|
|
The Case against Nietzsche (1918) |
|
|
823 | (1) |
|
|
|
824 | (1) |
|
|
|
825 | (2) |
|
|
|
827 | (95) |
|
|
|
|
|
|
827 | (70) |
|
|
|
|
Modern Fiction (1919/1925) |
|
|
897 | (4) |
|
Mr Bennett and Mrs Brown (1923) |
|
|
901 | (2) |
|
The Narrow Bridge of Art (1927) |
|
|
903 | (7) |
|
|
|
910 | (12) |
|
|
|
922 | (24) |
|
Fiction and Literary Drama |
|
|
|
|
|
922 | (5) |
|
|
|
927 | (3) |
|
A Night Among the Horses (1918) |
|
|
930 | (4) |
|
|
|
934 | (4) |
|
A Little Girl Tells a Story to a Lady (1925) |
|
|
938 | (4) |
|
|
|
942 | (4) |
|
|
|
946 | (15) |
|
|
|
|
|
|
946 | (4) |
|
|
|
950 | (2) |
|
|
|
952 | (3) |
|
Tea with an Artist (1927) |
|
|
955 | (2) |
|
|
|
957 | (2) |
|
Again the Antilles (1927) |
|
|
959 | (2) |
|
|
|
961 | (46) |
|
|
|
|
|
|
961 | (3) |
|
|
|
964 | (10) |
|
|
|
974 | (6) |
|
Attractive Modern Homes (1941) |
|
|
980 | (5) |
|
|
|
985 | (5) |
|
|
|
990 | (8) |
|
The Happy Autumn Fields (1944) |
|
|
998 | (9) |
|
|
|
1007 | (10) |
|
|
|
1007 | (4) |
|
Revolution of the Word (1929) |
|
|
1011 | (1) |
|
|
|
1012 | (3) |
|
What is the Revolution of Language? (1933) |
|
|
1015 | (2) |
|
|
|
1017 | (69) |
|
|
|
|
|
|
1017 | (18) |
|
|
|
|
|
|
1035 | (26) |
|
|
|
|
Dante . . . Bruno. Vico . . Joyce (1929) |
|
|
1061 | (11) |
|
|
|
1072 | (6) |
|
|
|
|
|
|
1078 | (5) |
|
|
|
1083 | (1) |
|
|
|
1084 | (1) |
|
|
|
1084 | (1) |
|
|
|
1084 | (2) |
|
Continental Interlude IV: The Frankfurt School (1923--60) |
|
|
1086 | (52) |
|
Surrealism: the Last Snapshot of the European Intelligentsia (1929) |
|
|
1087 | (8) |
|
|
|
The Work of Art in the Age of Mechanical Reproduction (1936) |
|
|
1095 | (18) |
|
|
|
Looking Back on Surrealism (1956) |
|
|
1113 | (3) |
|
|
|
Trying to Understand Endgame (1961) |
|
|
1116 | (22) |
|
|
| Bibliography |
|
1138 | (40) |
| Index of Authors and Titles |
|
1178 | |