Other versions by this Author
| Acknowledgments | |
| Introduction | p. 1 |
| We Know What Time It Is: Race, Class and Youth Culture in the Nineties | p. 17 |
| Same as it Ever Was: Youth Culture and Music | p. 29 |
| Is Anybody Listening? Does Anybody Care?: On Talking about 'The State of Rock' | p. 41 |
| Excerpt from Altered Spade: Readings in Race-Mutation Theory | p. 59 |
| A Style Nobody Can Deal With: Politics, Style and the Postindustrial City in Hip Hop | p. 71 |
| Puerto Rican and Proud, Boyee!: Rap Roots and Amnesia | p. 89 |
| The State of Rap: Time and Place in Hip Hop Nationalism | p. 99 |
| Contracting Rap: An Interview with Carmen Ashhurst-Watson | p. 122 |
| In the Empire of the Beat: Discipline and Disco | p. 147 |
| Hello | p. 158 |
| Not A Mutant Turtle | p. 160 |
| Nobody Wants a Part-Time Mother: An Interview with Willi Ninja | p. 163 |
| Moral Panic, The Media and British Rave Culture | p. 176 |
| The Funkification of Rio | p. 193 |
| Rah, Rah, Sis-Boom-Bah: The Secret Relationship Between College Rock and the Communist Party | p. 221 |
| Border Crossing in the U.S.A. | p. 227 |
| Highbrow, Lowbrow, Voodoo Aesthetics | p. 235 |
| Smells Like Teen Spirit: Riot Grrrls, Revolution and Women in Independent Rock | p. 250 |
| Contributor Notes | p. 275 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
Microphone Fiends
by Ross, Andrew; Rose, TriciaFormat: Hardcover
Pub. Date: 1994-04-01
Publisher(s): Routledge
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