Introduction |
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ix | |
``Roots'' |
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1 | (2) |
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Interview with Fred D'Aguiar |
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3 | (6) |
I. Strategies in the Post-Colonial Text |
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9 | (94) |
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The (W)estrangement of the Body in the North African Text |
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11 | (18) |
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Veiling Wright, Veiling Fanon: Visibility and Self-Concealment as Post-Colonial Strategies |
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29 | (16) |
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``The Map on My Tongue'': Discursive Blackness and the Myth of the Negative Feminine in Hurston, Rhys, Conde |
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45 | (16) |
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De-centering the Center: George Lamming's Natives of My Person (1972) and Caryl Phillips's Cambridge (1991) |
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61 | (18) |
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Sea-Changes and Identities: Dislocation and the Narrative Formation of Cultural Self-Concepts (Olaudah Equiano, James Baldwin, William Gardner Smith) |
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79 | (14) |
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Many Places at Once: Movements in Space and Time in John Edgar Wideman's Philadelphia Fire and The Cattle Killing |
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93 | (10) |
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Elisabeth Schafer-Wunsche |
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II. Transcultural Influences |
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103 | (42) |
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Mapping the German Shores of the Black Atlantic: American Jazz in Weimar Visual Culture |
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105 | (14) |
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Mapping the Harlem Renaissance |
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119 | (10) |
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The African Connection: Toni Morrison's Bonds with West African Women Writers |
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129 | (16) |
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III. Memory, History, and the Production of Knowledge |
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145 | (88) |
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Witnessing the Middle Passage: Trauma and Memory in the Narratives of Olaudah Equiano and Venture Smith and in Toni Morrison's Beloved |
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147 | (16) |
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History and Memory in Toni Morrison's Beloved |
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163 | (12) |
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Developing Economic Forces in the Eighteenth-Century Slave Trade: Radical and Liberal Readings of the Middle Passage |
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175 | (14) |
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Grotesque Landscapes: African American Fiction, Voodoo Animism, and Cognitive Models |
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189 | (14) |
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Paradise and the Production of History |
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203 | (18) |
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Cultural Studies in Action |
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221 | (12) |
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Note on Contributors |
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233 | |