Fashion The Key Concepts

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Format: Paperback
Pub. Date: 2009-09-15
Publisher(s): Berg Pub Ltd
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Summary

Fashion is everywhere. It is one of the main ways in which we present ourselves to others, signaling what we want to communicate about our sexuality, wealth, professionalism, subcultural and political allegiances, social status, even our mood. It is also a global industry with huge economic, political and cultural impact on the lives of all of us who make, sell, wear or even just watch fashion. Fashion: the key concepts presents a clear introduction to the complex world of fashion. The aim throughout is to present a comprehensive but also accessible and provocative analysis. Readers will discover how the fashion industry is structured and how it thinks, the links between catwalk, celebrity branding, media promotion and mainstream retail, how clothes mean different things in different parts of the world, and how popular culture influences fashion and how fashion shapes global culture. Illustrated with a wealth of photographs, the text is further enlivened with over 30 detailed and rich case studies ranging across topics as diverse as the meaning of black in fashion, the rise of celebrity branding, the cult of thinness, the politics of veiling, the eroticism of shoes and the power of cosmetics. Features: sect; Boxed chapter overviews open each chapter sect; Bullet points summarizing key ideas conclude each chapter sect; Chapter discussions are illustrated with integrated case material sect; Each chapter is supported by extended Case Studies sect; Key words are highlighted in chapters and defined in an extensive Glossary sect; Further Reading guides the reader to other literature sect; A timeline of Fashion Milestones provides a chronology of major events in the history of fashion

Author Biography

Jennifer Craik is Research Professor of Communication and Cultural Studies in the School of Creative Communication at the University of Canberra and Adjunct Professor in Fashion at the School of Fashion and Textiles at the Royal Melbourne Institute of Technology University in Melbourne. Her seminal publications in fashion theory including: The Face of Fashion: Cultural Studies in Fashion and Uniforms Exposed: From Conformity to Transgression.

Table of Contents

acknowledgementsp. ix
illustrationsp. xi
introduction: why study fashion?p. 1
the purpose of this bookp. 1
defining key termsp. 2
key approaches to studying fashionp. 5
how is this book organized?p. 14
the fashion impulsep. 19
investigating the fashion impulsep. 19
color and fashion through timep. 34
the color black in fashionp. 42
conclusionp. 47
the regulation of fashionp. 49
black mourning dressp. 51
fashions in new guinea headdressesp. 54
the sailor suit: from function to fashionp. 59
the eurocentric fashion systemp. 63
consumer culture and fashionp. 63
paris fashionp. 68
the paris legacyp. 75
new fashion capitalsp. 82
conclusionp. 91
beau brummellp. 93
the influence of coco chanelp. 96
yves saint laurent as style musep. 99
daslu luxury retailingp. 102
fashion cycles, symbols, and flowsp. 105
fashion cycles and structuresp. 105
fashion symbols and codesp. 109
interdisciplinary fashion theoryp. 115
fashion flowsp. 117
conclusionp. 120
the meaning of men's tiesp. 122
jeans as uber fashionp. 124
sexuality and stilettosp. 127
the magic of cosmeticsp. 130
fashion, body techniques, and identityp. 135
fashion as a body techniquep. 136
fashioning gender: femininity and masculinityp. 139
fashioning consumersp. 147
uniforms of identityp. 148
conclusionp. 156
fashion and identity in harajukup. 159
acquiring the techniques of royaltyp. 162
the metrosexual manp. 166
the cult of thinnessp. 168
fashion, aesthetics, and artp. 171
aesthetics and fashionp. 171
spatial aesthetics and fashionp. 174
fashion as aesthetic regimep. 177
artistic fashion and cultural shiftsp. 180
from aesthetic innovation to museum curationp. 183
conclusionp. 189
fashion photography and heroin chicp. 191
exhibiting vivienne westwoodp. 194
wearable artp. 196
fashion and the wristwatchp. 198
fashion as a business and cultural industryp. 205
the structure of the fashion industryp. 206
fashion forecasting, marketing, and the fashion consumerp. 212
the changing role of the fashion designerp. 220
luxury brands and global marketingp. 225
conclusionp. 231
celebrity modelsp. 233
louis vuitton as luxury accessoryp. 237
the gap as global fashionp. 240
secondhand clothingp. 242
popular culture and fashionp. 245
fashion and the rise of popular culturep. 246
representing fashionp. 248
fashion subcultures and popular musicp. 254
fashion journalism, public relations, and stylistsp. 264
conclusionp. 270
sports clothing for everymanp. 272
australian bush wear as urban chicp. 275
retailing erotic lingeriep. 278
oliviero toscani's advertisements for benettonp. 281
the politics of fashionp. 283
what are the politics of fashion?p. 284
endogenous and exogenous factorsp. 285
fashion and colonialismp. 296
fashion and postcolonialismp. 301
conclusion: global fashion futures?p. 302
the politics of veilingp. 306
renegotiating chinese fashionp. 310
indian fashion: from diasporas to designersp. 314
burberry's brand of britishnessp. 316
glossaryp. 319
fashion milestonesp. 341
questions for essays and class discussionp. 349
annotated guide for further readingp. 353
bibliographyp. 357
Table of Contents provided by Ingram. All Rights Reserved.

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