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viii | |
| Acknowledgments |
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| An Introductory Updating to the Second Edition |
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xiv | |
| Introduction |
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3 | (5) |
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8 | (12) |
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20 | (3) |
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23 | (10) |
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33 | (5) |
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38 | (4) |
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42 | (3) |
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The Emergence of the Official Collector |
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45 | (373) |
| PART 1. FROM THE BEGINNINGS TO 1824 |
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The Great Trio: Charles I, Arundel and Buckingham |
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57 | (8) |
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65 | (3) |
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Collecting as a Fashion: Mrs Jameson surveys the Eighteenth Century |
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68 | (4) |
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72 | (2) |
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74 | (6) |
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80 | (12) |
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Horace Walpole's Journal of Visits to Country Seats (Melbury, Burghley) |
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92 | (4) |
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Principles of Sculpture Collecting |
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96 | (3) |
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Collectors First Collected |
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99 | (8) |
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The Resta Drawings for Sale |
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107 | (5) |
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Reynolds Reports to the Duke of Rutland |
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112 | (4) |
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116 | (6) |
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A Case of Family Collecting: The Earls of Radnor |
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122 | (3) |
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The Difficulties of Viewing Collections |
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125 | (2) |
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The Vitturi Collections in English Hands |
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127 | (6) |
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Buchanan on the Orleans Collection |
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133 | (6) |
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The Orleans Dispersal: An Explanatory Postscript |
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139 | (3) |
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The Flemish Part of the Orleans Collection |
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142 | (3) |
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Dr Waagen Surveys the Post-Orleans Era |
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145 | (8) |
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Dr Waagen on the Elgin Marbles |
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153 | (1) |
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Lord Elgin's Rescue of the Sculptures from the Parthenon |
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154 | (8) |
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162 | (1) |
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163 | (3) |
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And a Postscript: The Altieri Claudes |
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166 | (1) |
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Irvine reports to Buchanan from Italy |
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167 | (5) |
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Desenfans: The Amateur Professional |
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172 | (6) |
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Desenfans tricked by Sir Joshua Reynolds |
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178 | (1) |
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179 | (3) |
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182 | (1) |
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Waagen meets William Young Ottley |
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183 | (3) |
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Ottley's Life as a Collector |
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186 | (3) |
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Lawrence's Collection spurned |
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189 | (4) |
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193 | (5) |
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198 | (3) |
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201 | (1) |
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202 | (6) |
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The Remarkable Acquisition of Correggio's Education of Venus |
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208 | (2) |
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The Beckford Collection sold |
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210 | (8) |
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218 | (1) |
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219 | (5) |
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224 | (2) |
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226 | (4) |
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230 | (2) |
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Advertisement : Advice to Proprietors |
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232 | (3) |
| PART 2. 1824 AND AFTER |
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The Changing Taste of Collectors |
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235 | (4) |
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Prince Albert as Collector |
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239 | (2) |
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241 | (5) |
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246 | (3) |
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The House of Samuel Rogers `A thenaeum' |
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249 | (5) |
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The Collection of Samuel Rogers |
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254 | (6) |
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On the Hazards of showing one s Collection |
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260 | (3) |
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The Founding of the National Gallery |
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263 | (11) |
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274 | (6) |
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280 | (2) |
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Lord Hertford and his Agent |
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282 | (6) |
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The Taste for Objets d' Art |
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288 | (2) |
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Official Collecting: The Soulages Collection purchased |
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290 | (3) |
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Sale of the Bernal Collection |
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293 | (6) |
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299 | (3) |
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302 | (10) |
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The Great Manchester Exhibition---and the New Connoisseurship |
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312 | (8) |
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320 | (7) |
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An Early Turner Collector |
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327 | (2) |
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Lady Charlotte Schreiber from her Journals |
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329 | (14) |
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A Picture Sale at Christie s (1887) |
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343 | (5) |
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The Hamilton Palace Collection |
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348 | (5) |
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On the Use of Photography in the Study of Painting |
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353 | (1) |
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The Wallace-Bagatelle Collection |
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354 | (7) |
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The Rothschilds of Waddesdon Manor |
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361 | (4) |
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The Sport of Collecting: The Dream Come True; Luxor; The Failure of an Amateur `Scout' |
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365 | (8) |
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373 | (4) |
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Problems of Connoisseurship |
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377 | (2) |
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379 | (3) |
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The Collection of Samuel Courtauld |
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382 | (2) |
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384 | (3) |
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Dr. C. Willett Cunnington |
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387 | (19) |
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Sir Karl Parker: Survey of a Recent Stewardship |
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406 | (3) |
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409 | (2) |
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411 | (2) |
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Sir William Burrell's Purchase Books (1911---1957) |
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413 | (5) |
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| Select, Annotated Bibliography |
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418 | (19) |
| Index |
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437 | |