To the Break of Dawn : A Freestyle on the Hip Hop Aesthetic

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Format: Paperback
Pub. Date: 2008-05-01
Publisher(s): New York Univ Pr
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Summary

View the Table of Contents . Read the Introduction . ?To the Break of Dawn marks a crucial turning point in hip-hop writing. . . . By opening the discourse on hip-hop?s aesthetic, Cobb spearheads a new sub-genre, and perhaps a return or revolution in hip-hop aesthetics.? --Black Issues Book Review ?[P]eels back the many digitized layers of hip-hop to explore the evolution of the MC, from African folkloric traditions to the global (and often hypercommercial) phenomenon it is today. ?--Utne SEE ALSO: Pimps Up, Ho?s Down: Hip Hop?s Hold on Young Black Women by T. Denean Sharpley-Whiting.?To the Break of Dawn is smart, funny, conversational -- a book to touch off serious study of the modern MC.? --The Austin Chronicle ?Upon finishing To The Break of Dawn any objective fan will acknowledge that Cobb has done a commendable job in chronicling rap?s evolution and explaining its multiple influences and impact.? --City Paper ?To the Break of Dawn dissects the evolution of hip hop lyricism from its most primitive beginnings to its current manifestation as a global phenomenon. Author Jelani Cobb examines issues of race, geography, genre and bravado in this overview of hip hop?s lyrical art. Covering words from B.I.G., Cube, Obie Trice and Pimp C, Cobb offers an intellectual and up-to-date report on hip hop?s most powerful element? --The Source Magazine ?What makes William Jelani Cobb's To the Break of Dawn so refreshing is that it centers on what hip-hop is, rather than on what it does. Eschewing the common practice of treating rap lyrics as just another way to talk about race, politics or the self, Cobb treats them as art. His aim is ambitious: to articulate hip-hop's aesthetic principles while tracing its roots back to the ?ancestral poetic and musical traditions? of black oral culture, from Sunday sermons to gut-bucket blues. To the Break of Dawn celebrates lyrical invention, the artists and even the particular rhymes that make hip-hop great. For the uninitiated, it is Hip-Hop 101, offering a rich overview of rap's verbal artistry. For the aficionado, it alternately affirms and challenges deeply held beliefs of what is valuable in hip-hop.? --Washington Post Book World ?This book makes an important contribution to hip-hop history. . . . Cobb?s writing style is engaging, and the book benefits from the legitimacy provided by the author?s background: he is a former MC who grew up with the culture.? --Choice ?On literally every page [Cobb] displays a tremendous command of language and history as he ?examines the aesthetic, stylistic, and thematic evolution of hip hop from its inception in the South Bronx to the present era.? But make no mistake: this groundbreaking work is an artfully constructed and vividly written look at ?the artistic evolution of rap music and its relationship to earlier forms of black expression.? Much of the book's pleasure also comes from Cobb's ability to ?freestyle? serious and humorous insights-from how artists such as Tupac and Nas sometimes ?stepped outside the conventions of hip-hop to pen sympathetic narratives about the sexual exploitation of young women,? to how LL Cool J's pioneering ?I Need a Beat? sounded ?like he'd raided every entry in an SAT book.? ?? --Publishers Weekly (starred review) ?Vital stuff for hip hop fans eager to know more about their favorite cultural idiom?s development and underpinnings.? --Booklist ?At a time when

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