Summary
Transcribed from 78 rpm recordings and preserved here long after many of the records have disappeared, this collection of nearly three hundred songs from more than one hundred singers celebrates the diversity of feeling and form that defines the blues. Ma Rainey, Blind Lemon Jefferson, Bessie Smith, Leadbelly, Memphis Minnie, Robert Johnson, and Muddy Waters are represented with their lesser-known contemporariesBarefoot Bill, Barbecue Bob, Bumble Bee Slim, and Black Ivory King. This complete anthology also features lyrics by Blind Blake, Victoria Spivey, Blind Willie Johnson, "Funny Paper" Smith, Texas Alexander, Lightning Hopkins, Mance Lipscomb, Ma Yancey, King Solomon Hill, Skip James, Arthur "Big Boy" Crudup, Son House, Willie Brown, Mississippi John Hurt, Bukka White, Furry Lewis, Sleepy John Estes, Rev. Gary Davis, Roosevelt Sykes, Peetie Wheatstraw, Sonny Boy Williamson, Kokomo Arnold, Tampa Red, Howlin'Wolf, John Lee Hooker, Charlie Patton, and more than 100 others. Dozens of illustrations are included.
Author Biography
As founder and publisher of Mushinsha, Eric Sackheim edited and published some thirty books including many Japanese classics in translation: The Doorless Door, Monkey’s Raincoat, Back Roads to Far Towns, and many others. Jonathan Shahn is represented by the O’Hara Gallery in New York City and lives and works in Roosevelt, N.J.
Table of Contents
Preface |
|
7 | (18) |
|
|
|
|
25 | (1) |
|
|
|
|
26 | (3) |
|
|
|
29 | (4) |
|
|
|
|
|
33 | (1) |
|
Lottie Kimbrough (Beaman) |
|
|
|
34 | (1) |
|
|
35 | (1) |
|
|
|
36 | (1) |
|
|
|
37 | (1) |
|
|
|
38 | (1) |
|
|
|
39 | (1) |
|
|
|
40 | (1) |
|
|
|
41 | (1) |
|
|
|
42 | (1) |
|
|
Never Let Your Left Hand Know |
|
|
43 | (1) |
|
|
You'll Never Miss Your Jelly |
|
|
44 | (1) |
|
|
45 | (1) |
|
|
|
|
46 | (1) |
|
|
47 | (2) |
|
|
|
49 | (1) |
|
|
50 | (1) |
|
|
|
51 | (1) |
|
|
52 | (2) |
|
|
54 | (1) |
|
|
|
55 | (1) |
|
|
|
56 | (1) |
|
|
|
57 | (1) |
|
|
Me and My Chauffeur Blues |
|
|
58 | (1) |
|
|
59 | (1) |
|
|
60 | (2) |
|
Memphis Minnie-Jitis Blues |
|
|
62 | (1) |
|
|
63 | (2) |
|
|
Make Me a Pallet on Your Floor |
|
|
65 | (1) |
|
|
|
66 | (3) |
|
|
|
|
|
69 | (1) |
|
|
|
70 | (2) |
|
|
72 | (1) |
|
|
|
73 | (1) |
|
|
74 | (1) |
|
|
75 | (1) |
|
|
76 | (1) |
|
|
77 | (1) |
|
|
78 | (1) |
|
|
79 | (1) |
|
|
80 | (1) |
|
|
81 | (2) |
|
|
83 | (1) |
|
|
84 | (1) |
|
Deceitful Brownskin Blues |
|
|
85 | (1) |
|
|
86 | (1) |
|
|
87 | (1) |
|
|
88 | (1) |
|
|
89 | (1) |
|
|
90 | (1) |
|
|
91 | (1) |
|
|
92 | (1) |
|
|
|
93 | (1) |
|
Ramblin' (Willard) Thomas |
|
|
|
94 | (1) |
|
|
95 | (1) |
|
I'm Gonna Run to the City of Refuge |
|
|
96 | (2) |
|
|
|
98 | (2) |
|
|
100 | (2) |
|
Jesus Make Up My Dying Bed |
|
|
102 | (2) |
|
|
104 | (2) |
|
|
106 | (2) |
|
|
108 | (2) |
|
|
|
110 | (1) |
|
|
111 | (2) |
|
|
113 | (1) |
|
|
114 | (2) |
|
|
116 | (1) |
|
|
117 | (2) |
|
|
119 | (1) |
|
|
|
120 | (1) |
|
|
|
121 | (1) |
|
|
|
122 | (2) |
|
|
124 | (1) |
|
Robbing and Stealing Blues |
|
|
125 | (1) |
|
|
|
126 | (1) |
|
|
|
127 | (1) |
|
|
|
128 | (2) |
|
|
130 | (1) |
|
|
131 | (1) |
|
|
132 | (2) |
|
|
134 | (1) |
|
|
135 | (1) |
|
|
|
136 | (2) |
|
|
138 | (1) |
|
|
|
139 | (4) |
|
|
|
|
143 | (2) |
|
|
|
145 | (1) |
|
|
|
146 | (1) |
|
|
147 | (1) |
|
|
|
148 | (1) |
|
|
149 | (1) |
|
|
|
150 | (2) |
|
Blind Willie (Joe) Reynolds |
|
|
|
152 | (2) |
|
|
154 | (2) |
|
|
|
156 | (2) |
|
|
158 | (3) |
|
|
161 | (1) |
|
|
|
162 | (2) |
|
|
164 | (2) |
|
|
|
166 | (1) |
|
|
That Lonesome Train Took My Baby Away |
|
|
167 | (1) |
|
|
|
168 | (2) |
|
|
|
170 | (2) |
|
|
|
172 | (1) |
|
|
173 | (2) |
|
|
|
175 | (1) |
|
|
Hard Time Killin, Floor Blues |
|
|
176 | (1) |
|
|
177 | (2) |
|
|
179 | (1) |
|
|
|
180 | (3) |
|
Arthur ``Big Boy'' Crudup |
|
|
|
|
|
183 | (2) |
|
|
|
185 | (2) |
|
|
|
187 | (1) |
|
|
|
188 | (2) |
|
|
190 | (2) |
|
|
192 | (1) |
|
High Water Everywhere---1 |
|
|
193 | (1) |
|
High Water Everywhere---2 |
|
|
194 | (2) |
|
|
196 | (2) |
|
|
198 | (3) |
|
|
201 | (1) |
|
|
|
202 | (1) |
|
|
203 | (1) |
|
|
|
204 | (4) |
|
|
|
208 | (2) |
|
|
210 | (2) |
|
|
212 | (2) |
|
|
214 | (1) |
|
|
|
215 | (1) |
|
|
|
216 | (2) |
|
|
218 | (1) |
|
|
219 | (1) |
|
Traveling Riverside Blues |
|
|
220 | (1) |
|
I Believe I'll Dust My Broom |
|
|
221 | (1) |
|
|
222 | (1) |
|
|
223 | (1) |
|
|
224 | (1) |
|
|
225 | (1) |
|
|
226 | (3) |
|
|
|
229 | (1) |
|
Got the Blues, Can't Be Satisfied |
|
|
230 | (1) |
|
|
231 | (1) |
|
|
232 | (1) |
|
|
233 | (1) |
|
|
|
234 | (1) |
|
|
Aberdeen, Mississippi Blues |
|
|
235 | (1) |
|
|
|
236 | (2) |
|
|
238 | (1) |
|
|
239 | (1) |
|
|
240 | (2) |
|
|
242 | (1) |
|
|
243 | (4) |
|
|
|
|
|
247 | (2) |
|
|
'Tain't Nobody's Business |
|
|
249 | (2) |
|
|
|
251 | (2) |
|
|
253 | (1) |
|
|
|
254 | (1) |
|
Billy Lyons and Stack O'Lee |
|
|
255 | (1) |
|
|
256 | (2) |
|
|
258 | (2) |
|
I Will Turn Your Money Green |
|
|
260 | (1) |
|
Nashville Stonewall Blues |
|
|
261 | (1) |
|
|
That's No Way to Get Along |
|
|
262 | (2) |
|
|
264 | (1) |
|
|
265 | (1) |
|
|
|
266 | (2) |
|
|
268 | (1) |
|
Everybody Ought to Make a Change |
|
|
269 | (1) |
|
|
270 | (1) |
|
|
271 | (1) |
|
|
272 | (2) |
|
|
274 | (2) |
|
|
276 | (1) |
|
|
277 | (1) |
|
|
|
278 | (1) |
|
|
279 | (3) |
|
|
|
282 | (1) |
|
|
|
283 | (3) |
|
|
|
286 | (2) |
|
|
|
288 | (5) |
|
Memphis Willie B. (Borum) |
|
|
|
|
|
293 | (1) |
|
|
|
294 | (2) |
|
|
296 | (1) |
|
|
|
297 | (1) |
|
|
|
298 | (2) |
|
|
300 | (2) |
|
|
302 | (1) |
|
|
303 | (1) |
|
|
|
304 | (2) |
|
|
|
306 | (2) |
|
Two White Horses in a Line |
|
|
308 | (1) |
|
|
309 | (4) |
|
|
|
|
If It Looks Like Jelly, Shakes Like Jelly |
|
|
313 | (1) |
|
|
|
314 | (2) |
|
|
316 | (2) |
|
|
318 | (2) |
|
|
|
320 | (2) |
|
|
322 | (2) |
|
|
324 | (3) |
|
|
327 | (1) |
|
|
|
328 | (1) |
|
|
|
329 | (2) |
|
|
|
331 | (1) |
|
|
|
|
332 | (1) |
|
|
333 | (1) |
|
Searching the Desert for the Blues |
|
|
334 | (2) |
|
|
336 | (2) |
|
|
338 | (2) |
|
|
340 | (5) |
|
|
|
|
345 | (1) |
|
|
|
346 | (2) |
|
|
348 | (1) |
|
|
349 | (1) |
|
|
350 | (2) |
|
|
|
352 | (1) |
|
|
353 | (4) |
|
|
|
|
|
357 | (1) |
|
|
|
358 | (1) |
|
|
359 | (2) |
|
|
|
361 | (4) |
|
|
365 | (1) |
|
|
|
366 | (1) |
|
|
367 | (1) |
|
|
|
368 | (2) |
|
|
|
370 | (2) |
|
|
372 | (2) |
|
|
|
374 | (2) |
|
|
376 | (5) |
|
|
|
|
381 | (1) |
|
|
|
382 | (1) |
|
|
|
383 | (1) |
|
|
Take a Walk Around the Corner |
|
|
384 | (2) |
|
|
386 | (1) |
|
|
|
387 | (1) |
|
|
|
388 | (1) |
|
|
|
389 | (2) |
|
|
391 | (1) |
|
Little Brother Montgomery |
|
|
|
392 | (1) |
|
|
|
393 | (1) |
|
|
|
394 | (2) |
|
|
I Can Tell By the Way You Smell |
|
|
396 | (1) |
|
|
|
397 | (2) |
|
|
|
399 | (5) |
|
|
|
|
I'm Gonna Move to the Outskirts of Town |
|
|
404 | (1) |
|
|
|
405 | (1) |
|
|
406 | (3) |
|
|
|
|
409 | (2) |
|
|
|
411 | (1) |
|
You Got to Love Her with a Feeling |
|
|
412 | (2) |
|
|
|
414 | (1) |
|
|
|
415 | (1) |
|
|
|
416 | (2) |
|
|
418 | (1) |
|
|
419 | (1) |
|
|
420 | (1) |
|
|
Don't Want No Hungry Woman |
|
|
421 | (4) |
|
|
|
|
|
425 | (1) |
|
|
|
426 | (2) |
|
|
|
428 | (2) |
|
|
|
430 | (1) |
|
|
|
431 | (1) |
|
|
|
432 | (2) |
|
|
|
434 | (3) |
|
|
|
437 | (4) |
|
|
|
|
|
441 | (2) |
|
|
|
443 | (2) |
|
|
|
445 | (4) |
|
A Survey of Sorts: Various Voices |
|
449 | |