Art and Knowledge

by
Format: Hardcover
Pub. Date: 2001-10-12
Publisher(s): Routledge
List Price: $168.00

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Summary

Art and Knowledgeargues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. He argues that all the arts, including music, are importantly representational. This kind of representation is fundamentally different from that found in the sciences, but it can provide insights as important and profound as that available from the sciences.Art and Knowledgeis an exceptionally clear and interesting, as well as controversial, exploration of what art is and why it is valuable. It will be of interest to all philosophers of art, artists and art critics.

Author Biography

James O. Young is Professor of Philosophy at the University of Victoria.

Table of Contents

Preface xi
What is art?
1(22)
Definitions of art
1(3)
The relativity of arthood
4(6)
Defining art responsibly
10(7)
Why art ought to have cognitive value
17(6)
On representation
23(42)
What is representation?
23(3)
Types of representation
26(8)
The representation of types
34(4)
Visual art and semantic representation
38(6)
Representation in literature
44(8)
Representation in music: I
52(8)
Representation in music: II
60(5)
Art as inquiry
65(49)
Ways to knowledge
65(5)
Rejected alternatives
70(10)
Interpretive illustration
80(8)
Affective illustration and knowledge
88(6)
What can be learned from art?
94(10)
Replies to objections
104(5)
Cognitive value and the experience of art
109(5)
Evaluation of art
114(21)
Relativism and aesthetic value
114(7)
The extent of aesthetic relativism
121(5)
Criteria of evaluation
126(9)
Avant-garde art and knowledge
135(33)
What is avant-garde art?
135(5)
Exemplification and avant-garde art
140(4)
The semantics of avant-garde art
144(10)
But is it art?
154(6)
Destroying works of avant-garde art
160(6)
Envoy
166(2)
Notes 168(6)
Bibliography 174(4)
Index 178

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