On Alberti and the Art of Building

by
Format: Trade Book
Pub. Date: 1999-01-11
Publisher(s): Yale University Press
List Price: $78.75

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Summary

Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (1404-1472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the Italian architect and a detailed consideration of each of the building projects with which he was involved. With new reconstructions of Alberti's buildings and new interpretations of his design intentions, this book will fascinate every reader with an interest in Renaissance architecture. From Alberti's supreme knowledge of the thought and buildings of antiquity, he developed a set of writings on science and the visual arts, including his important treatise on architecture, De re aedificatoria. In this volume, Tavernor examines Alberti's architectural writings and his practical example, his relations with his patrons, how he extended his theory into practice through major building projects across Italy, and how he succeeded in raising the status of architecture to an art -- one that sought harmony with the natural world. Focusing on the analysis of Alberti's buildings, the author sets each in historical context; provides a building history; and considers source material, proportional systems, and iconography. He concludes the book with a fresh view of Alberti's theory and practice and a summary of his design process.

Table of Contents

Preface ix(2)
Acknowledgements xi(2)
Author's Note xiii
ON ALBERTI 3(36)
1 The Early Years
3(10)
2 Rome Revealed and Re-presented
13(12)
3 Architect and Visionary
25(6)
4 Self-portraiture and Alberti's Eye for the Future
31(8)
ON THE ART OF BUILDING 39(162)
5 Beauty in Art and Building
39(10)
In Search of Beauty
39(1)
Bodily Representations in Art and Architecture
39(1)
Body Measures for Buildings
40(1)
Architecture and the Body Analogy
41(2)
Beauty through concinnitas
43(1)
Redefining concinnitas: through numerus, finitio and collocatio
44(2)
Composition
46(2)
Theory into Practice
48(1)
6 Sigismondo Malatesta and the Tempio Malatestiano in Rimini
49(30)
The Malatesta Dynasty and the Church of San Francesco in Rimini
49(2)
From Church to Temple: Transforming San Francesco into the Tempio Malatestiano
51(8)
Correspondence Describing Aspects of Alberti's Design for the Tempio Malatestiano
59(9)
Reconstructing the Rotunda at the East End of the Tempio Malatestiano
68(5)
Theory into Practice: the Proportions of the Tempio Malatestiano and `tutta quella musica'
73(6)
7 Giovanni Ruccllai and his Architectural Ensemble in Florence
79(46)
Introduction
79(2)
The Facade of Palazzo Rucellai
81(8)
Architecture in Perspective
89(2)
Precedents for the Palazzo Rucellai Facade
91(3)
Palazzi Piccolomini and Rucellai Compared
94(1)
Palazzo Rucellai Extended
95(4)
The Facade of Santa Maria Novella
99(7)
The Rucellai Sepulchre in San Pancrazio
106(13)
The Rucellai Loggia
119(6)
8 Ludovico Gonzaga and Alberti in Mantua and Florence
125(64)
Introduction
125(2)
A Building History of San Sebastiano in Mantua
127(15)
The Almost Perfect Proportions of San Sebastiano
142(5)
The Tribune of the Santissima Annunziata in Florence
147(12)
A Building History of Sant' Andrea in Mantua
159(10)
Alberti's Interpretation of the Etruscan Temple for Sant' Andrea
169(7)
Designing Sant' Andrea as an Etruscan Temple
176(3)
The Facade of Sant' Andrea as `Triumph'
179(10)
9 Federico da Montefeltro of Urbino and Alberti's Design for a Bath Building
189(12)
The Benevolent Prince
189(1)
Federico and Alberti
190(2)
Building and Bathing
192(2)
A Design for a Bath Building attributed to Alberti
194(7)
The Art of Building in Practice 201(3)
Appendix 204(3)
Notes 207(44)
Alberti's Writings 251(2)
Bibliography 253(20)
Index 273

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