Looking for the Other: Feminism, Film and the Imperial Gaze

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Edition: 1st
Format: Nonspecific Binding
Pub. Date: 1997-03-06
Publisher(s): Routledge
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Summary

What happens when white people look at non-whites? What happens when the gaze is returned?Looking for the Otherresponds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself.

Author Biography

E. Ann Kaplan is Professor of English at Suny, Stony Brook.

Table of Contents

Acknowledgments
Preface
Backgrounds: Theories of Nation, Psychoanalysis and the Imperial Gazep. 1
Travel, Travelling Identities and the Lookp. 3
Theories of Nation and Hollywood in the Contexts of Gender and Racep. 27
Hollywood, Science and Cinema: The Imperial and the Male Gaze in Classic Filmp. 56
Darkness Within: Or, The Dark Continent of Film Noirp. 99
Travelling Postcolonialists and Women of Colorp. 133
Travelling White Theorists: The Case of Chinap. 135
"Can One Know the Other?": The Ambivalence of Postcolonialism in Chocolat, Warrior Marks and Mississippi Masalap. 154
"Speaking Nearby": Trinh T. Minh-ha's Reassemblage and Shoot for the Contentsp. 195
"Healing Imperialized Eyes": Independent Women Filmmakers and the Lookp. 218
Body Politics: Menopause, Mastectomy and Cosmetic Surgery Films by Rainer, Tom and Onwurahp. 256
Afterword: Reversing the Gaze, Yes: But Is Racial Inter-Subjective Looking Possible?p. 292
Referencesp. 303
Indexp. 323
Table of Contents provided by Blackwell. All Rights Reserved.

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